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Article :: Color Keying in After Effects CS3
Are your matte edges crunchy, chewy, contrasty, solid, sizzling? Do these terms even mean anything to you? They will by the time Mark Christiansen finishes showing you how to work with After Effects CS3 color keying.
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Article :: Working with Classes and Objects in ActionScript 3.0
This chapter provides a high-level overview of the basic concepts, terminology, and definitions of classes and objects in ActionScript 3.0.
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Article :: Distorting Objects with the Puppet Tools in After Effects CS3
Pull, squash, stretch, and otherwise deform objects onscreen using the After Effect CS3 Puppet tools. Whether you're creating realistic animations, fantastic scenarios, or modern art, the Adobe Creative Team shows you how the Puppet tools can expand your creative freedom.
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Article :: Animating Layers in After Effects CS3
Animation is all about making changes over time to an object or image's position, opacity, scale, and other properties. In this step-by-step exercise, the Adobe Creative Team explores some of the fun possibilities for animating a Photoshop file in After Effects CS3.
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Article :: Pyrotechnics: Creating Fire, Explosions, and Energy Phenomena in After Effects 7.0
Humans are so familiar with fire that we can tell when it looks wrong, even if we don't understand the physics of explosions and fireworks. By using Mark Christiansen's After Effects techniques, however, you can provide at the compositing stage what the filmmaker couldn't afford on set: realism.
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